A visit to Venice brought the chance to learn the basics of rowing all over again. We found there’s almost no relationship between how a Venetian rows and the way we learnt at home.
You don’t push or pull vigorously, you glide and slide your oar, tipping it gently to steer the boat, with a light touch and a rhythmic motion.
It was one of the best Transadriatica’s from Venice to Novigrad and back that anyone could remember. Winds in the northern Adriatic are notoriously fickle and changeable, and sometimes disappear for hours to leave a glassy calm. This time, apart from a brief lull or two on the way out, we had steady winds all the way.
Martin and I were sailing two-handed in his Spiuma, starting on Thursday evening in Venice and arriving in Novigrad early on Friday afternoon.
On the way home, over Saturday night, we managed to finish at the lagoon entrance at 0930 on Sunday. We were back in time for an early lunch, whereas usually we’d be lucky to make it for tea or an early glass of prosecco. The race sponsor was in fact Drusian, a wine producer from Valdobbiadene, one of the best prosecco areas, and each boat was given a bottle.
The first boat to appear at the Dogana on the Grand Canal after the 30 km Vogalonga rally round the lagoon and canals of Venice was a coxed eight. It was another 40 minutes before the arrival of the first of the traditional Venetian boats, the ones everyone really wants to see.
All the boats finished further up, beyond the Rialto, and they then paraded down to the official pontoon at the Dogana, which is at the entrance to the Canal.
There they received their awards for participating in the lagoon marathon, which is open to any boat as long as it can be rowed or paddled. It took place on the Sunday before the Transadriatica.
It was great to be back as crew in the Transadriatica this year, after two years suspension because of Covid.
The race is actually a double one, just under 60 miles out from Venice to Novigrad in Croatia, and back again after a day’s relaxation in the delightful little seaside resort – how can you beat that for a civilised way to compete?
Novigrad is in Istria, close to some excellent vineyards producing wine from the Malvasia grape. There is a strong Italian influence on the food and the architecture, reflected in the town’s other name of Cittanova. That goes back to the days before the peninsula of Istria was taken from Italy and handed to Yugoslavia after the second world war.
One of the best sails I’ve had in the Mediterranean or Adriatic: nice breeze that kept the boat flat out much of the way, apart from a couple of hours after the start of the return leg. Only once or twice were we hard pressed, and what’s more the wind magically veered and backed almost on demand, just as we needed it, especially near the course turning point in the Gulf of Trieste. Even as the wind dropped approaching Venice, it was enough to keep us moving at 5 knots.
Here’s the certificate for third in class in the 2018 Transadriatica race – the second time in the race for me – from Venice to Novigrad and back, overnight each way in Martin Walker’s Spiuma. The certificate was presented to Martin recently, though the race was the weekend at the end of May and beginning of June.
Delighted to be sent this picture of the cup for third in class in the 2017 Transadriatica race, especially since we were the smallest boat and the oldest crew.
After last year’s exploration of the Venice lagoon (see this post), we learnt recently about pilotage inside Venice’s own canal system, with a tour in a private motor boat. With care, you could do the same in a visiting yacht’s tender.
A new set of municipal rules took effect on 1 April, though apparently some of its key provisions, such as limits on the speed of water taxis, were dropped after protests from their vociferous spokesmen.
Quite by accident while wandering around Venice with friends who live there, we crossed paths with a neighbour of theirs, who turned out to be one of only two women drivers of vaporetti on the lagoon.
The beauty of Venice is so great that even the high-season overcrowding is still bearable. Now we’ve found a way of seeing the city in spring, summer and autumn without feeling oppressed by the sheer numbers around us. A week afloat on a barge is is the answer, because you see Venice in the context of its whole lagoon, and can slip easily away from the crowds.
Arriving, for example, at the island of Torcello in the evening, after the day-trip boats have left, is a blissfully peaceful experience. We found a mooring up a tree-lined creek on the far side of the island from the excursion landing stage, right behind the basilica. It was just an hour and a half slow cruising from Venice. In the city itself, we spent two nights in the peaceful surroundings of a yacht club marina at St Elena, in easy reach of the sights but away from the crowds.
We had hardly started on the Venetian lagoon when we came across this site-specific installation by Gavin Turk, the much-praised Young British Artist (now of course no longer so young). Here is some of the publicity material we found flying about in the wind from the Biennale*.Continue reading “Venice Biennale – all at sea”
A year ago we went round London by barge, and next week we’ll go round Venice, with the same seven-strong crew. We will start from a barge base at Chioggia, and plan to visit Venice itself and several other islands, including Torcello, and maybe up the River Brenta towards Padua or the Sile towards Treviso. Not sure whether the mobile internet reception is good enough to allow a daily blog, but we’ll load a picture log during the week.
On an Ionian holiday a few years ago, I walked straight off a modern cruising yacht into an argument about an ancient voyage that has been unresolved for well over 2,000 years. We had moored at Vathi, the main town on Ithaca, where in a first floor room down a side street I came across an exhibition of photographs of Homeric sites on the island. There I fell into conversation with a white-haired, distinguished looking man who described himself as director of the archaeological excavations on Ithaca.
Naturally, we got onto the Odysseus connection, for the exhibition was designed to connect present day sites on the island with the wanderings of Homer’s hero. I had just read in Rod Heikell’s Ionian pilot book that the island of Levkas, a few miles to the north, had been put forward by some as the true Ithaca. What did the director think of that?
It was as if I had insulted his family, his religion and his country all at once. He exploded.
For the full article – a long read– follow this link. Or look under ‘old stories’ above.